Rick Hardin, a mid-30s author of pulp novels, just wants to pick up his girl Sonja at a lonely gas station. But it seems that the cab has already picked her up. At the rest rooms, he witnesses a man battering a woman. Is it Sonja? Rick decides to help, but has to realize, that the victim is not Sonja at all, but a weird woman, who does not want to be helped. And he has to admit, that life sometimes holds strange twists. Unfortunately, this realization seems to come too late.

多纳尔·福尔曼（Donal Foreman）几乎与他的父亲阿瑟·麦凯格（Arthur MacCaig）没有任何联系，后者将整个职业生涯都奉献给了记录北爱尔兰（Northern Ireland）的冲突。麦凯格去世后，福尔曼深入研究父亲的档案，重新建立起他们之间的关系，同时也拿起了相机——既将其作为武器，也将其作为和解的手段。

Juan and Lee talk about movies that deserve a little more attention. Positive only reviews of neglected films covering all genre's and time periods. Chock full of commentary, and spoiler free.

Features game-play and cinema scenes from a variety of games, including “StarCraft: Brood War“, “Shinobi III: Return of the Ninja Master“, “Gotcha Force“, and many more.

This programme shows edits of recent mainstream TV shows, such as Rick Stein's "Istanbul", and dubs them to supposedly make them amusing.

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The CONSTANTIA FILMS movie SONJA is a romantic drama produced in 1971 by Bill Troskie, with Daan Retief as director and scriptwriter. It tells the story of Sonja’s (played by Petru Wessels) husband, Chris (Hans Strydom), who is obsessed with having children to carry the proud De La Rey family name. His wife realises that, due to circumstances, Chris will not be able to father a child. To solve the dilemma, she gets pregnant through a friend, Martin (Will Roberts). Sonja’s best friend, Nicolente (Elma Potgieter), a paraplegic who is in love with Chris, uncovers the secret. She threatens to tell Chris that the child is not his – unless Sonja asks for a divorce and leaves Chris.

This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.

Jean-Luc Lemoine is back for a one-man show full of cynicism and self-mockery.

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